The Incomparable

It’s the end of the world and a robot apocalypse has happened, so what are the robots up to now? One robot butler takes an unusual journey through the darkly absurd world of Adrian Tchaikovsky’s “Service Model.” All bytes will be sorted and preserved, Uncharles. Jason Snell with Joe Rosensteel, Erika Ensign, Aleen Simms, Scott McNulty and Katie Mack.

Are fairy tales real, or are they mental refuges from the horrors of real life? Guillermo Del Toro’s “Pan’s Labyrinth” toggles effortless between bizarre, Miyazaki-like fantasy (inverted toads!) and an all-too-real tale of violence and treachery in fascist Spain. It’s dark, beautiful, full of disgusting bugs, and manages to use Del Toro muse Doug Jones as not one but two separate monsters! Jason Snell with Moisés Chiullán, Steve Lutz, Tony Sindelar and Monty Ashley.

We send off the crew of the USS Cerritos and salue the completion of the five-year mission of “Star Trek: Lower Decks.” This show expanded what “Star Trek” could be—in several dimensions. And yet it was also utterly, completely a “Star Trek” series. We try to find the special alchemy that brought it all together. Jason Snell with David J. Loehr, Moisés Chiullán, Scott McNulty and Joe Rosensteel.

The writers of “The Expanse” are back with a new series, and “The Mercy of Gods” is an alien invasion story that goes to some extremely dark places. But sometimes, dark is good… right? Right?! Plus: What are we reading? Jason Snell with Scott McNulty, Heather Berberet and Aleen Simms.

Another year in the books, and there was a lot to appreciate about the stuff we consumed—movies, TV, books, video games, and more—in 2024. Our most prolific panelists collaborate on a massive list of the stuff we enjoyed over the past 12 months. Jason Snell with Erika Ensign, Annette Wierstra, Brian Warren, Kelly Guimont, Moisés Chiullán, David J. Loehr, John Siracusa, Dan Moren and Chip Sudderth.

For Kilmas this year we travel to 19th century Arizona for “Tombstone,” where Wyatt Earp, his brothers, and their shady pal Doc Holliday (Val Kilmer!) confront a bunch of rotten outlaw thugs and their own mortality. Will our noted hater of westerns, Erika, accept the possibility of a Kilmas miracle? Listen to find out! Jason Snell with Monty Ashley, Brian Warren, Erika Ensign, Annette Wierstra and Tony Sindelar.

This year’s Ape Club holiday party is 1972’s “Conquest of the Planet of the Apes,” in which the people of Future 1991 use apes as slaves until there’s an uprising led by a talking ape with a familiar name: Caesar. Were the 1970s ape sequels all as bad as we were led to believe, or is “Conquest”… actually kind of good? Join us and find out! Jason Snell with John Moltz, Annette Wierstra, Brian Warren and David J. Loehr.

Merry X-Mas, and goodwill to X-Men! Surprisingly holding down the entire Marvel Cinematic Universe for 2024 is “Deadpool & Wolverine,” in which Ryan Reynolds and Hugh Jackman desecrate “Logan” while honoring it, skewer Marvel movies while saving them, and encounter an extremely unlikely collection of Marvel movie cast-offs and has-beens. Jason Snell with Cicero Holmes, Kelly Guimont, Lisa Schmeiser and Moisés Chiullán.

Miyazaki Club morphs into Ghibli Club as we discuss 1991’s “Only Yesterday,” written and directed by Isao Takahata. It’s a story of one (childless workaholic?) woman’s search for herself in the past and the present, plus, of course, a deep dive into organic farming. Jason Snell with John Siracusa, Steve Lutz, Aleen Simms, Moisés Chiullán and Lisa Schmeiser.

In honor of Thanksgiving, we review the 1987 classic “Planes, Trains and Automobiles,” featuring Steve Martin and John Candy as trapped-together travelers just trying to get home, if there’s even a home to get back to. Jason comes to the realization that this is the Odyssey in the Midwest. Ben Stein has a special sign just to troll pained travelers. And that’s what Thanksgiving is all about, Charlie Brown. Jason Snell with Shelly Brisbin, Brian Hamilton, Brian Warren and Andy Ihnatko.

Several panelists consider Pixar’s “Inside Out” one of their favorite films. Now it’s time to process “Inside Out 2.” Some struggle with the sequel more than others. But at least Bing Bong makes a tiny cameo. Lex Friedman with Brian Hamilton, David J. Loehr and Kelly Guimont.

Vin Diesel, Radha Mitchell, Keith David, and a lack of bozos… It can only be 2000’s “Pitch Black,” one of the finer entries in the always-popular “Alien” homage movie genre. We enthuse about elevated filmmaking, great decisions, and low-budget effects. Antony Johnston with Erika Ensign, Tony Sindelar and Todd Vaziri.

Just in time for Halloween week, Old Spooky Club returns for 1985’s “Fright Night.” It’s an entirely ’80s comedy-horror movie with zero cynicism and only a single layer of meta. Chris Sarandon is the perfect vampire, even when he’s villanously chowin’ down on a topless lady as he exchanges intense stares with the neighbor kid. If you’ve never experienced it, you don’t know what you’re missing. Jason Snell with Steve Lutz, Annette Wierstra, Erika Ensign and Kelly Guimont.

Do you like gladiator movies, Joey? It’s 1980’s “Airplane!”—the comedy version of “Zero Hour!”—with serious actors playing ridiculous parts more or less straight. How does the comedy hold up? What’s unique about the approach? Why was it such a huge hit? We put the ZAZ boys under the microscope. Surely we’ll all have a good time! (Don’t call us Shirley.) Jason Snell with Shelly Brisbin, Philip Michaels, Dr. Drang and Steve Lutz.

Don’t order the fish! Old Movie Club celebrates Aviatober with 1939’s “Only Angels Have Wings” and 1957’s “Zero Hour!” One bears a striking resemblance to forgettable 1980s TV series “Tales of the Gold Monkey,” and the other is undeniably the inspiration for the more notable 1980 movie “Airplane!” (That’s foreshadowing.) Jason Snell with Shelly Brisbin, Philip Michaels, Monty Ashley, David J. Loehr and Micheline Maynard.

It was the late ’80s and comic writer Grant Morrison was fast becoming Grant Morrison. Come back with us to look at his run on Animal Man, issues 1-26, in which a has-been/never-was superhero becomes an outspoken animal rights activist, witnesses the near-undoing of the Crisis on Infinite Earths, and meets his own maker—who looks strangely like Grant Morrison. Before Deadpool and She-Hulk broke the fourth wall, this was Peak Meta. Chip Sudderth with Lisa Schmeiser and Tony Sindelar.

Dan Moren’s “The Armageddon Protocol” is now on sale. He joins Jason to discuss how to wrap up a long-running series (while leaving doors open for future adventures), juggling an increasingly complex home life with a two-book contract, the broader publishing options available to fiction writers, and (of course) sandwiches. Jason Snell with Dan Moren.

Miyazaki Club returns to discuss 2010’s “The Secret World of Arrietty,” a Studio Ghibli production with a screenplay by Hayao Miyazaki based on a series of children’s books. Why are we so unnerved by the linear storyline and lack of weirdness? Why does Jason have Bay Leaf head canon? And why is surface tension the true star of the show? Jason Snell with Steve Lutz, Moisés Chiullán, John Siracusa and Aleen Simms.

“Warner Brothers called and they’re demanding that we do The Matrix IV, with or without you?” So motivated, Lilly Wachowski made a movie that revisits “The Matrix” that’s about revisiting “The Matrix.” Could it be that this 19-years-later sequel… is better than the other sequels? Jason Snell with Chip Sudderth, Erika Ensign and Kelly Guimont.

The Matrix Trilogy ends with “The Matrix Revolutions.” There’s a big fight in Zion, a lot of stuff in the Matrix we didn’t actually remember, everyone becomes Agent Smith, Chip is devoured by thousands of mosquitos, and Kelly resists the bleakness. Jason Snell with Chip Sudderth, Erika Ensign, Kelly Guimont and Joe Rosensteel.