New Books In Folklore

The Music of the United States of America Series of musical editions is a monumental undertaking funded by the National Endowment for the Humanities with financial and organizational support from the University of Michigan, the American Musicological Society, the Society of American Music, and A-R Editions. The aim of the MUSA series, as it is called, is to provide expertly researched and edited scores of music from a wide variety of musical traditions performed in the United States. The thirty-second volume of the MUSA series is An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century published by A-R Editions in 2021 and edited by the Anne Dhu McLucas, Norm Cohen, and Carson Cohen. Dr. McLucas passed away before the edition was completed and Carson stepped in to complete the project with his father Norm. This collection of one hundred songs is a record of a fundamental repertoire in American music. Brought to this country by colonists, the

Eugenia Roussou's book Orthodox Christianity, New Age Spirituality and Vernacular Religion: The 'Evil Eye' in Greece (Bloomsbury, 2021) thoroughly illustrates the novel synthesis of Christian religion and New Age spirituality in Greece. It challenges the single-faith approach that traditionally ties southern European countries to Christianity and focuses on how processes of globalization influence and transform vernacular religiosity. Based on long-term anthropological fieldwork in Greece, this book demonstrates how the popular belief in the ‘evil eye’ produces a creative affinity between religion and spirituality in everyday practice. It contributes to current key debates in social sciences concerning globalization and secularization, religious pluralism, contemporary spirituality and the New Age movement, gender, power and the body, health, illness, and alternative therapeutic systems, senses, perception and the supernatural, the spiritual marketplace, creativity and the individualization of religion in a m

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to. In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educ

In 1818, the East India Company defeated the Maratha confederacy, acquiring vast domains in central and western India. Through coercion if not outright violence, the Company transformed many aspects of India's social, economic, and cultural landscape. This book charts one such shifting landscape-Marathi language literary culture-in order to expand the field of world and comparative literature. Kedar A. Kulkarni describes the way Marathi literary culture, entrenched in performative modes of production and reception, especially balladry and epic storytelling, saw the germination of a robust, script-centric dramatic culture, owing to colonial networks of literary exchange and the newfound wide availability of print technology. However, the process was far from a simple mutation of genre. He demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers, translators, among many others. And, these people also participated in a global

You probably already know the story of Snow White—as well as Little Red Riding Hood, Briar Rose, The Frog Prince, and so many others. These tales have a rich history of oral storytelling. They’ve travelled through culture, adapted and readapted in each retelling and reaching as far as the popular Disney movies that our kids watch over and over. Jacob and Wilhelm Grimm saw the power of this folklore and made it their life’s mission to compile and preserve it. But while we tend to think of Grimms’ Fairy Tales as stories for children, the themes found in Jacob and Wilhelm’s book can be pretty mature…and a little dark. Columbia professor Annie Pfeifer discusses how the Grimm brothers ended up creating a whole new literary genre and their stories have been shaped and molded throughout history. Annie Pfeifer is an Assistant Professor of Germanic Languages at Columbia University. She has published articles in The New German Critique, German Life and Letters, and the peer-reviewed volumes Que(e)rying Consent and Iran

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politi

Barack Obama and his family have been the objects of rumors, legends, and conspiracy theories unprecedented in US politics. Outbreaks of anti-Obama lore have occurred in every national election cycle since 2004 and continue to the present day--two elections after his presidency ended. In Trash Talk: Anti-Obama Lore and Race in the Twenty-First Century (U California Press, 2022), folklorist Patricia A. Turner examines how these thought patterns have grown ever more vitriolic and persistent and what this means for American political culture. Through the lens of attacks on Obama, Trash Talk explores how racist tropes circulate and gain currency. As internet communications expand in reach, rumors and conspiracy theories have become powerful political tools, and new types of lore like the hoax and fake news have taken root. The mainstream press and political establishment dismissed anti-Obama mythology for years, registering concern only when it became difficult to deny how much power those who circulated it could

Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past. Liz Barrett is a History PhD student Lehigh University, a CSA Farmer,

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one’s boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of 

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stere

Singing the Goddess Into Place: Locality, Myth, and Social Change in Chamundi of the Hill, a Kannada Folk Ballad (SUNY Press, 2022) demonstrates how folk narratives reflect local context while also actively working to upend social inequities based on caste and ritual/devotional practices. By delving into this world, the book helps us understand how a landscape is transformed through people's relationship with it and how this relationship helps build meaning for the communities that call it home. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship

Raj Balkaran's 200th podcast episode: Christa Kuberry interviews him on his beautifully written new book The Stories Behind the Poses: The Indian Mythology That Inspired 50 Yoga Postures (Leaping Hare, 2022), and highlighting their significance for practice.  Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights--glimmering, long-buried nuggets of truth--embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from ancient, medieval, and modern times. Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities (Princeton UP, 2022) is a treasury of fifty of her most amazing and amusing discoveries. The book explores such subjects as how mirages inspired legends of cities in the sky; the true identity of winged serpents in ancient Egypt; how ghost ships led to the discovery of the Gulf Stream; and the beauty secrets of ancient Amazons. Other pieces examine Arthur Conan Doyle's sea serpent and Geronimo's dragon; Flaubert's obsession with a

The Dragon Daughter and Other Lin Lan Fairy Tales (Princeton University Press, 2022) by Dr. Juwen Zhang brings together forty-two magical Chinese tales, most appearing for the first time in English. These stories have been carefully selected from more than a thousand originally published in the early twentieth century under the pseudonyms Lin Lan and Lady Lin Lan—previously unknown in the West, and now acclaimed as the Brothers Grimm of China. The birth of the tales began in 1924, when one author, Li Xiaofeng, published a set of literary stories under the Lin Lan pen name, an alias that would eventually be shared by an editorial team. Together, this group gathered fairy tales (tonghua) from rural regions across China. Combining traditional oral Chinese narratives with elements from the West, the selections in this collection represent different themes and genres—from folk legends to comic tales. Characters fall for fairies, experience predestined love, and have love/hate relationships with siblings. Garden sn

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy. John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out? Mentioned in the Episode: David Graeber and David Wengrow, The Dawn of Everything. In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises t

Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet.  In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception