Creative Disturbance

Catherine Craft is Curator at the Nasher Sculpture Center, Dallas and a scholar of Dada, Surrealism, Abstract Expressionism, and Neo-Dada. She is curator of the recent exhibition The Nature of Arp, the first North American museum survey of the artist Jean (Hans) Arp in three decades; she will also oversee that exhibition’s installation at the Peggy Guggenheim Collection in Venice, where it will open April 2019. Dr. Craft curated the Nasher’s 2015 touring retrospective Melvin Edwards: Five Decadesand, as with The Nature of Arp, was principal author of the accompanying publication. She was also a contributing author for Nasher exhibition catalogues on the artists Ann Veronica Janssens and Katharina Grosse; on Isamu Noguchi for Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943-1963; and Lara Almarcegui, Rachel Harrison, and Liz Larner for Nasher XChange: 10 Years. 10 Artists. 10 Sites. In 2017 she curated the group exhibition Paper into Sculpture, which examined contemporar

Catherine Craft is Curator at the Nasher Sculpture Center, Dallas and a scholar of Dada, Surrealism, Abstract Expressionism, and Neo-Dada. She is curator of the recent exhibition The Nature of Arp, the first North American museum survey of the artist Jean (Hans) Arp in three decades; she will also oversee that exhibition’s installation at the Peggy Guggenheim Collection in Venice, where it will open April 2019. Dr. Craft curated the Nasher’s 2015 touring retrospective Melvin Edwards: Five Decadesand, as with The Nature of Arp, was principal author of the accompanying publication. She was also a contributing author for Nasher exhibition catalogues on the artists Ann Veronica Janssens and Katharina Grosse; on Isamu Noguchi for Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943-1963; and Lara Almarcegui, Rachel Harrison, and Liz Larner for Nasher XChange: 10 Years. 10 Artists. 10 Sites. In 2017 she curated the group exhibition Paper into Sculpture, which examined contemporar

Anne Nigten elaborates on the importance of having people from many disciplines when discussing sustainability issues and climate change. According to her, having transdisciplinary perspectives on the subject open doors to new knowledge fields. Doing so is important when having to tackle complex problems like climate change. We then discuss the various subjects that were elaborated during the previous Balance-Unbalance conference, such as new values and economics. Make sure to visit The Patching Zone’s website

 Episode 16 of the MAP Radio Hour features a conversation with art and tech expert John Boylan. John reflects upon F.R. Leavis’ critic of British novelist C.P. Snow,  the design of art and technology residencies that stem from his experience working with artists in residence at Microsoft and his direction of 9e2, an art, science and technology festival that he spearheaded in Seattle to celebrate the 50th anniversary of the seminal 1966 performance series 9 Evenings: Theater and Engineering.     Music from performances at 9e2 Seattle

Ittai Weinryb is Associate Professor of Art History at Bard Graduate Center in New York. He received his PhD (2010) and MA from the Johns Hopkins University and his BA from Tel Aviv University. His area of research and teaching include Art and Material Culture of Western Europe and the Medieval Mediterranean in the nexus of Image and Object Theory, Anthropology, Magic and Religion as well as Medieval Folklore. He has recently curated an exhibition entitled Agents of Faith: Votive Objects in Time and Place, exploring votiveofferings in the context of material culture, art history, and religious studies to better understand their history and present-day importance.” His awards and fellowships include the Adolf Katzenellenbogen Prize, Robert and Nancy Hall Fellow, the Walters Art Museum, Baltimore; Max Planck Doctoral Fellow at the Kunsthistorisches Institut in Florence; ICMA/Kress Research Award. Andrew Mellon Fellow at the Institute for Advanced Study, Princeton. In the Academic year 2014-15 He was a fellow at

Identical twins and entrepreneurs Jacob and Cason Hunwick speak with Roger Malina on their experience sharing context throughout life, and the ideas on collaboration that have sprung from said shared context.  Edited by Ryland Smith.

Exploration, play, and mastery of digital computer equipment has been a growing trend in public education for quite some time. Because schools have increased an emphasis for STEM practices across the nation schools must transcend linear classroom structures. The Digital Arts and Technology Academy is an effort to challenge that and to provide a new curriculum model in Grand Prairie Independent School District with an emphasis on starting at the middle school level. Curriculum strategy and development is something that all schools seek to be better at and with standardized test score accountability systems in place, teachers are always looking at new ways to increase student interaction as well as problem solving and critical thinking skills. The Digital Arts and Technology Academy is an effort to transform a traditional middle school structure within a three-year program design and use an approach to bridge post-secondary educational goals with public school systems through technology and a non-traditional cl

Echange de procédé. Dans cet épisode, Fabrice L’Hénaff s’entretient avec Christian Poincheval au sujet de sa participation à l’exposition Improbables  et des enjeux artistiques et culturels de notre époque.

Linda Henderson earned her PhD at Yale University and has taught 20th-century European and American art in the Department of Art and Art History since 1978. Before coming to the University of Texas, she served from 1974 through 1977 as Curator of Modern Art at the Museum of Fine Arts, Houston. Professor Henderson’s research and teaching focus on the interdisciplinary study of modernism, including the relation of modern art to geometry, science and technology, and mystical and occult philosophies. In addition to periodical articles and catalog essays, she is the author of The Fourth Dimension and Non-Euclidean Geometry in Modern Art(Princeton University Press, 1983; new ed., MIT Press, 2013) and Duchamp in Context: Science and Technology in the Large Glass and Related Works(Princeton, 1998), which won first prize in the Robert W. Hamilton Author Awards competition in 1999. To learn more about Lina Henderson, Click Here

Dans cet entretien conduit par Christian Poincheval, l’artiste singulier Fabrice L’Hénaff parle de l’exposition Improbables, qui s’est tenue au Musée de la Perrine de Laval, autour de laquelle se sont réunis plusieurs artistes et performeurs.

Ludwig Schwarz earned a BFA from Southern Methodist University and an MFA from the School of the Visual Arts, NY. Solo exhibitions include “Some 20 year old works on Paper and 2 New Sculptures”, curated by Charles Dee Mitchell, The Box Company, Dallas, TX (2017); “Rest Stop”, Peter Makebish Gallery, NYC (2015); “Retrospective (1990-2014)”, Oliver Francis Gallery, Dallas (2014); “Meet the Schwarzes,”(with Marjorie Schwarz), Nada Art Fair, NYC (2013); “The Four Seasons (Season Premier)”, Sunday LES, NYC (2008); “Untitled (Travelogue 8)”, Freight and Volume, NYC (2005); as well as exhibitions at Angstrom Gallery and Road Agent, Dallas and Lump, Raleigh, NC. Group exhibitions include Brucennial 2012 and 2010, NYC; Leo Castelli, NYC; Gavin Brown, NYC; Inman Gallery, Houston; The Rose Art Museum, Brandeis University, MA; Texas Prize at Art House, Austin, and Art Museum of Southeast Texas, Beaumont.

Qu’est-ce qu’un peintre, ou bien qu’est-ce que l’activité de peindre? c’est la question qu’adresse Christian Poincheval à Fabrice L’Hénaff, artiste peintre. Ce podcast traite notamment du travail singulier de Fabrice L’Hénaff qui désigne pour lui sa manière d’être bien plus qu’un style ou un courant artistique.

Since arriving at Boston University in 2005, Gregory Williams has delivered lectures and participated in numerous conferences in Europe and the United States. An editor-at-large of Brooklyn’s Cabinet magazine, he has published art criticism in periodicals, including Artforum, frieze and Texte zur Kunst. He has written catalogue essays for exhibitions of Rosemarie Trockel (Museum Ludwig in Cologne, Kunstmuseum Basel and WIELS in Brussels) and Martin Kippenberger (Tate Modern in London), and has authored book chapters for The Black Sphinx: On the Comedic in Modern Art, John C. Welchman, ed. (Zurich: JRP/Ringier, 2010) and Regarding the Popular: High and Low Culture in the Avant-Garde and Modernism, Sascha Bru, et al., ed. (Berlin and New York: Walther de Gruyter, 2011). Most recently, his essay, “Ground Control: Painting in the Work of Cosima von Bonin,” appeared in the Winter 2012 issue of Art Journal. His book, Permission to Laugh: Humor and Politics in Contemporary German Art, was published by the University

Since arriving at Boston University in 2005, Gregory Williams has delivered lectures and participated in numerous conferences in Europe and the United States. An editor-at-large of Brooklyn’s Cabinet magazine, he has published art criticism in periodicals, including Artforum, frieze and Texte zur Kunst. He has written catalogue essays for exhibitions of Rosemarie Trockel (Museum Ludwig in Cologne, Kunstmuseum Basel and WIELS in Brussels) and Martin Kippenberger (Tate Modern in London), and has authored book chapters for The Black Sphinx: On the Comedic in Modern Art, John C. Welchman, ed. (Zurich: JRP/Ringier, 2010) and Regarding the Popular: High and Low Culture in the Avant-Garde and Modernism, Sascha Bru, et al., ed. (Berlin and New York: Walther de Gruyter, 2011). Most recently, his essay, “Ground Control: Painting in the Work of Cosima von Bonin,” appeared in the Winter 2012 issue of Art Journal. His book, Permission to Laugh: Humor and Politics in Contemporary German Art, was published by the University

Luciano Queiroz (@lucianolqueiroz) e João Silveira (@johngaucho) recebem Ricardo Dal Farra para conversar sobre sua carreira nada convencional na música, a electroacústicaa relação da música com as mudanças climáticas e seu projeto “Balance Unbalance – BunB”.

Harvey Seifter, founder of Art of Science Learning, joins Dr. Kathryn Evans to discuss an experimental section of ARTS 1301 that will incorporate findings and practices from his organization, Art of Science Learning. 

Hansong dan is Associate Professor of English at the School of Foreign Studies, Nanjing University. His research interests include modern/contemporary American novels, 9/11 literature, posthumanism and Digital Humanities. He has authored numerous articles in nationally renowned journals, such asForeign Literature Review. His articles in English can be found in volumes published by Northwestern University Press and the Royal Swedish Academy of Letters, History and Antiquities. His book, To Realize the Universal: Allegorical Narrative in Thornton Wilder’s Plays and Novels, was published by Peter Lang in 2012. He has translated some works by Thomas Pynchon, Julian Barnes, and Thornton Wilder.

Hansong dan is Associate Professor of English at the School of Foreign Studies, Nanjing University. His research interests include modern/contemporary American novels, 9/11 literature, posthumanism and Digital Humanities. He has authored numerous articles in nationally renowned journals, such asForeign Literature Review. His articles in English can be found in volumes published by Northwestern University Press and the Royal Swedish Academy of Letters, History and Antiquities. His book, To Realize the Universal: Allegorical Narrative in Thornton Wilder’s Plays and Novels, was published by Peter Lang in 2012. He has translated some works by Thomas Pynchon, Julian Barnes, and Thornton Wilder.

This episode of the MAP Radio Hour features a conversation with writer, director and performer Katt Lissard about her theater work in the Southern African country, Lesotho. Additionally, Lissard and Engelstad reflect on their experiences as Fulbright Scholars and the value of Fulbright to relationship building, learning and international exchange.