Creative Disturbance

Pamela Z is a composer/performer and media artist who makes solo works combining a wide range of vocal techniques with electronic processing, samples, gesture activated MIDI controllers, and video. She has toured extensively throughout the US, Europe, and Japan. Her work has been presented at venues and exhibitions including Bang on a Can (NY), the Japan Interlink Festival, Other Minds (SF), the Venice Biennale, and the Dakar Biennale. She's created installations and has composed scores for dance, film, and chamber ensembles (including Kronos Quartet). Her awards include the Rome Prize, a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Robert Rauschenberg Foundation residency, the Herb Alpert Award, and an Ars Electronica honorable mention, and the NEA/Japan-US Fellowship. www.pamelaz.com

'அ' முதல் அமெரிக்காவரை வரிசையில் தங்கள் அனுபவங்களைப் பற்றி தொடர்ந்து உரையாடுகிறார்கள் கௌதம் ஷர்மா மற்றும் ஆதவன் சிபி. அமெரிக்கா வந்து இறங்கும் இந்திய மாணவர்கள், அதிலும் பெரும்பாலும் முதல்முறை வருகிறவர்கள், அன்றாட அமெரிக்க வாழ்க்கைமுறைக்கு அனுசரித்துப் போவதில் ஒரேவிதமான குழப்பங்களைத்தான் சந்திக்கிறார்கள். அது சாலையைக் கடப்பதாக இருக்கலாம்; நகரத்தில் பயணிப்பதாக இருக்கலாம்; அவை நம்நாட்டு நடைமுறைக்கு முற்றிலும் மாறுபட்டதாவே இருக்கிறது. இந்த தனிமையான காலகட்டத்தைக் கடந்து இது எனக்கு பழக்கமான ஊர் என்ற உணர்வு வருவதற்கு ஒரே வழி அல்லது மிகச்சிறந்த வழி நமக்கு முன்னால் வந்து இங்கே நீச்சல் அடித்துக் கொண்டிருக்கிறார்களே சக இந்திய மாணவர்கள், அவர்களோடு கலாச்சார நிகழ்வுகளில் கலந்து உற்சாகமாக பழகுவதுதான். புது நாட்டில் புது ஊரில் அவனவன் எப்படியெப்படி சொதப்பினான் என்று ஆளுக்கொரு திரைக்கதை வைத்திருப்பான்; அந்த சுவாரஸ்யமான கதைகளைக் கேட்டால் போதும். ஆறுமாத ஞானத்தை / பட்டறிவை அல்லல்படாமலேயே அடைந்துவிடலாம்.

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019 co-organised by Annick Bureaud and Ewen Chardronnet. Each participant answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup. Project website: http://www.olats.org/space/sasc21/2019/sasc21_2019.php Project supported by the Daniel and Nina Carasso Foundation - https://www.fondationcarasso.org/ 0 - What has attracted you to space, 13'38 1 – Humans or Robots, 4'23 2 – Dark Night or Full Moon, 4'37 3 – Astronomy or Astronautics, 4'57 4 – Colony or Space Station, 10'06 5 – Space Art or Space Culture, 4'31 6 – We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36 7 – Ask your own question and answer it, 7'21

To kick start an upcoming disturbance, Roger Malina and Oskar Olsson sit down with the host himself. Alen Agaronov is a doctoral student at the Harvard T.H. Chan School of Public Health majoring in Social & Behavioral Science with a secondary field in Critical Media Practice. In this episode Alen explains how he has grown an unhealthy obsession with the health benefits of the so-called Mediterranean Diet – particularly the scientists who were behind its discovery. Like a glass of wine, our discuss pours into tangential topics including Alen’s experience with the bureaucracies and office politics of doctoral life, Roger’s points about art and science, and the co-host's odd development of non-human-targeted media. [Original Recording: July 8, 2019]

Volker M. Welter is an architectural historian whose specializes in modern architecture from the 19th century onwards. Working mainly on Californian, British, and German, but also current architecture, his research centers on domestic architecture, patronage, histories of modernist, revival styles, and sustainable architecture, and historiography of modern architecture. The subject matter of his research usually emerge from his ongoing work in archives where the unordered adjacencies of archival sources often inspire new projects. He is interested in the ways architecture intersects on a smaller scale with individual human lives and on a larger scale with the environment. His work combines detailed architectural historical analysis with biographical research and, when appropriate, philosophical, sociological and psychological (theories of spatial perception) thought contemporary to a research project’s focus.Prof. Welter has received grants and fellowships from the Getty Grant Program, the Paul Mellon Centre

Farshid Kazemi and Siying Duan discuss their mutual interest in shadow-theatre and the magic lantern as early precursors to the art of the cinema. The conversation begins with how the use of shadow-puppetry in Plato's allegory of the Cave and the Persian philosopher and poet Omar Khayyam's reference to the magic lantern in the 11th century functioned as a technology to think about the ontological structure of the world. The origins of cinema is discussed in light of the shadow-play in India, China and Iran and in light of magic, shamanism, and the evocation of the spirit of the dead. Fascinating aspects of the phenomenon of shadows are discussed in Chinese and Persian and Shi'i-Islamic thought. The story of the origin of Chinese shadow-play is mentioned and finally; how the cinema was received in light of indigenous traditions of the shadow-play and the magic lantern within Chinese and Iranian culture at the turn of the last century.

முதல் மடல்: 'அ' முதல் அமெரிக்காவரை. முதலாவது 'விசா வில்லங்கம்". எப்படியெப்படி தப்பு பண்ணலாம் ? விசா பெறுவதில் எத்தனை எத்தனை வில்லங்கம், முட்டுச் சந்து, உதவிக் கரங்கள், எளிமையான தீர்வுகள் ? உரையாடுகிறார்கள் கௌதம் ஷர்மா-ஆதவன் சிபி ! விசா வழிகாட்டும் வாட்சாப் குழுக்கள், தூதரகம் முன் நிற்கும் அனகோண்டா க்யூ வரிசை, ஒற்றை மனிதனாக கண்டம்விட்டு கண்டம் தாவி அமெரிக்கா சென்று சேரும் கொடுமையான முதல் அனுபவம் ... எங்களில் எவரும் நண்பர்கள், முகம் தெரியாத முன்னாள் மாணவர்கள் துணையின்றி இந்த பதட்டக் கடலை தாண்டவில்லை. டென்ஷனாக இருக்கிறதா ? எங்களுக்கும் இருந்தது. அதை எப்படிக் கடந்தோம் என்பதுதான் இந்த முதல் காதையின் மய்யக் கரு.

Volker M. Welter is an architectural historian whose specializes in modern architecture from the 19th century onwards. Working mainly on Californian, British, and German, but also current architecture, his research centers on domestic architecture, patronage, histories of modernist, revival styles, and sustainable architecture, and historiography of modern architecture. The subject matter of his research usually emerge from his ongoing work in archives where the unordered adjacencies of archival sources often inspire new projects. He is interested in the ways architecture intersects on a smaller scale with individual human lives and on a larger scale with the environment. His work combines detailed architectural historical analysis with biographical research and, when appropriate, philosophical, sociological and psychological (theories of spatial perception) thought contemporary to a research project’s focus.Prof. Welter has received grants and fellowships from the Getty Grant Program, the Paul Mellon Centre

In this first episode, host Alex Garcia Topete talks about the basics of trandisciplinary intelligence and explores the intersection of bioengineering and creativity with Dr. Bryan Black.

Volker M. Welter is an architectural historian whose specializes in modern architecture from the 19th century onwards. Working mainly on Californian, British, and German, but also current architecture, his research centers on domestic architecture, patronage, histories of modernist, revival styles, and sustainable architecture, and historiography of modern architecture. The subject matter of his research usually emerge from his ongoing work in archives where the unordered adjacencies of archival sources often inspire new projects. He is interested in the ways architecture intersects on a smaller scale with individual human lives and on a larger scale with the environment. His work combines detailed architectural historical analysis with biographical research and, when appropriate, philosophical, sociological and psychological (theories of spatial perception) thought contemporary to a research project’s focus.Prof. Welter has received grants and fellowships from the Getty Grant Program, the Paul Mellon Centre

Azadeh Emadi and Laura U. Marks talk about their shared interest in the meeting points between digital media and Islamic art and philosophy--especially the minimal part, the infinitesimal, and the pixel--that led them to found the Substantial Motion Research Network.

In Episode 17 of The MAP Radio Hour 91-year-old, Peruvian artist and activist, Victor Delfín reflects on his life of creativity and political engagement. From the 1950s when Delfín began to create art that expressed the importance of freedom and liberty to the 1980s and 90s when he was a leader in the national movement to remove President Alberto Fujimori from power to today where he uses social media to share his thinking and art with a new generation. Bumper Music: Dawning of a New Age by Squire Tuck

En este segundo episodio se realiza un dialogo de saberes alrededor de la cosmovisión Indígena Pastos del departamento de Nariño, y la cosmovisión Múrui del departamento del Amazonas, reflexionando en torno la interculturalidad en los espacios de las Universidades convencionales de Manizales. Y como desde allí pensamos en crear alternativas de inclusión étnica desde el principio de la ley natural y con ayuda de la tecnología. Hablamos de la importancia de la educación propia en la universidad, la revitalización de la lengua propia y el respeto por la espiritualidad de armonía y equilibrio.